Cops and reporters are often at odds. But — as someone once told me — we’re also a lot alike. For one thing — as someone also told me — we’re all students of human behavior.

For cops, the ability to read people is literally a matter of life and death. Besides being key to survival on the street, it is also an essential factor in making arrests and the successful prosecution of the offenders.

As a result, good cops can read body language as easily as most people can read a newspaper. The best can spot a “tell” or visual cue about someone’s true intentions, from a proverbial mile away.

But even the best make mistakes. And even honest mistakes can have disastrous consequences.

Clearing Things Up

Let’s face it. Cops are nothing if not cynical. But given the nature of their work, who could really blame them for seeing the world through jaded eyes? Unless, of course, that cynicism morphs into something worse. Once that happens, there’s no going back.

So law enforcement agencies throughout the United States are now turning to an expert in another field in order to help their officers see things differently. Her name is Amy E. Herman, and The New York Times just did a feature story about her.

The piece, which you can read in print or at nytimes.com, focuses on Herman’s role as an “expert in visual perception” and her work with the New York Police Department. Specifically, the story’s about what happened when Herman took a few of New York’s Finest to the Metropolitan Museum of Art.

As Herman reportedly told them: “I’ve had people say, ‘I hate art,’ and I say, ‘That’s not relevant. This is not a class about Pollock vs. Picasso. I’m not teaching you about art today; I’m using art as a new set of data, to help you clear the slate and use the skills you use on the job. My goal when you walk out the door is that you’re thinking differently about the job.”

In other words, the “field trip” served as a perfect opportunity for the cops to hone their powers of observation.

As I See It

As far as I’m concerned, this is a fantastic program — and the NYPD’s decision to take advantage of it couldn’t make me happier.

You see, I studied art history in high school and college. I loved every single minute of it. Yes, you learn about art and architecture. But that’s not all. You learn how to look at the big picture — and all of the minute details. You learn how to evaluate both, and put everything in its proper context.

To put it another way, you learn critical thinking skills. You learn how to describe what you’ve seen in writing. You’ll find that two people can look at the exact same painting, sculpture or artifact and see something entirely different. But you’ll also learn the importance of seeing something for what it is not what you think it is.